New global open education trends: policy, learning design, mobile

Snapshot of New global open education trends webinar

Snapshot of New global open education trends webinar

Happy Open Education Week 2013!

At the Institute of Learning Innovation, we celebrated Open Education Week with a webinar. Four speakers shared their recent work on open education topics including several projects we have been part of.

Professor Grainne Conole started us off with ‘Open practices and the implications for education’ – beginning with open education’s place on the timeline of E-learning, continuing with her work on OPAL and POERUP, and rounding off with openness in learning design as examined in the SPEED and METIS projects.

Dr Ming Nie then took us on a whirlwind tour of open practice, looking at OER policy as practiced around the world. OER: The Policy Context was based on the POERUP project.

Next Terese Bird presented Mobile devices and open education: match made in heaven or shotgun wedding? The idea here is that open education, like education in general, is moving toward mobile devices. But corporate interests exert ever-heavier influence and may lead to more expensive and less open solutions.

Finally, Bernard Nkuyubwatsi presented A View from a Developing Country, describing how he learnt English by radio programmes created by the BBC. These lessons taught English with the help of Elvis Presley songs. The power of radio in education should not be underestimated especially in the developing world.

Gabi Witthaus expertly guided the discussion and chaired the webinar, and we were joined by participants from all over the world. And as usual, it was a lot of fun! If you missed the webinar or would like to review it, you can access the recording here.

Terese Bird, Learning Technologist and SCORE Research Fellow, Institute of Learning Innovation University of Leicester

New global open educational trends – policy, learning design, and mobile

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Beyond Distance PhD students and colleagues from around the world

To celebrate Open Education Week (begins 11 March 2013), Beyond Distance colleagues will be doing an online webinar to which you are cordially invited! We hope to have discussion, debate, and controversy! So please save the date and time —- more information and a link to connect will be blogged closer to the time.

Webinar title: ‘New global open educational trends: policy, learning design, and mobile’

Date and time: 11 March (Monday) at 12:30 -14:00 GMT

Presenters: Professor Grainne Conole, Gabi Withaus, Dr. Ming Nie, Terese Bird, Bernard Nkuyubwatsi

The webinar will be in format of a roundtable discussion. Informed by our work on various open educational projects of international scope (POERUPSPEED, TOUCANS, SPIDER, and iTunesUReach, among others) our team will share their perspectives and invite discussion on intercontinental policies for OER uptake, developments in the use of open resources and open practice in learning design, and issues around open practice in mobile learning, with a special focus on the view from the developing world.

Hope to virtually see you there!

Terese Bird, Learning Technologist and SCORE Research Fellow

OERs by Video

I am preparing for a project in which I will need to make video open educational resources (OERs). I will be creating split-screen video clips of lectures showing the presenter on one side, and whatever she is demonstrating on the computer on the other side. I am trying to imitate some Open Yale lectures I have seen here. I’m pretty sure Open Yale is using some sort of hardware and software lecture-capture solution which I don’t have. My solution will be low-cost: I will film the presenter, and capture whatever she is presenting via some screencast software such as Quicktime Pro or Camtasia, and use the split-screen wizardry of Final Cut Express to create the final product. If you want to learn more about how that is done, see my blog post from last week.

The next wrinkle in the video OER saga is that some of the footage will contain unsavoury language, and some may contain images of vulnerable adults and minors. Therefore, I need to bleep out words and blur out faces. I found a great tutorial for the face-blurring here, and I embed below a very helpful tutorial on bleeping out unwanted words.

Final Cut Pro Tutorial: How To Bleep Out Words So Your Mama Doesn’t Hear It from Andy Coon on Vimeo.

These are new issues for me in the realm of creating OERs. These learning materials will be created for a very specific medical-related audience (I will reveal more when I have something to show), but because they will be open-access, they should reach unknown audiences and unforeseen uses. That’s the beauty of OER!

Terese Bird, CMALT

Learning Technologist and SCORE Research Fellow, University of Leicester

My so-called digital life: making split-screen video OER

It has been a while since I have written a blog post. I got busy; I got out of the habit. And yet I know how useful it is to write a blog post on what I’ve been learning lately, what I’ve been musing on, problems I’ve been trying to solve, conferences or events I have attended and learnt from. And so I am back, trying to get back into a good habit of digitally reflecting, as part of my so-called digital life. On Tuesday, I will be describing the benefits of blogging to a group of PhD students here at University of Leicester. And so, it’s time to start practicing what I preach.

Since I last wrote a blog post, I helped carry off Follow the Sun 2012, our very successful third online-only conference on the future of learning. I also earned my CMALT. Thank you, Association for Learning Technology! These are good to note. But what else have I been doing? Mainly, I have been building open educational resources (OER). I have done some for the history-focussed Manufacturing Pasts project. I will link to these and share them out when the website is ready, which should be in the next few weeks.

Intro to Final Cut Express by Techcast Focus

I have also been learning to use Final Cut Express, because I have to build OER out of a film of a presenter, combined with a film of what she is demonstrating on the computer. The best way I can think of do this, with the resources available to me, is to make a split-screen video comprised of the two films.  I am pretty good with iMovie, and decent with MovieMaker, but have never touched Final Cut Express. And so I went to YouTube for tutorials. I link above the first of a series of 5 very useful tutorials posted by Techcast Focus — I highly recommend these if you are just getting started in Final Cut Express.  I learnt how to do the split-screen process from this tutorial by oneironaut420. I plan to make the video of whatever is being demonstrated on the computer by a simple screencast — probably using Quicktime Pro if it can be done on a Mac, or on Camstudio or Debut if it must be Windows.

One main reason I decided to blog about this is that if I don’t, I will forget this technique. Blogging is my open research notebook.

Please comment on what you blog about, how you keep yourself going with blogging — or your own cool tips for building video OER!

Terese Bird, CMALT

Learning Technologist and SCORE Research Fellow, University of Leicester

New Project: Manufacturing Pasts

Manufacturing Pasts is a new JISC-funded project with the aim of creating open educational resources (OER) from artefacts of twentieth century British industrial history. Wow! This is a new sort of endeavour for Beyond Distance on a number of fronts. First, no animal acronym! Second, we are the junior partner, supporting our University of Leicester Library, the Centre for Urban History, and the Record Office for Leicestershire, Leicester, and Rutland as they head up the project. And third, while creating OER is not new to me, this is the first time I am considering issues of creating OER from material originating in the private sector.

Ghost sign for Fashion Hire on Belgrave Gate, Leicester, by Dennis Duggan
 
This project is particularly exciting for me because I will get to help decide on and configure the distribution channel of these materials from the ground up. D-Space? JorumOpen? Merlot, perhaps? Humbox! All of the above! Maybe even iTunes U!
 
Some of the resources to be turned into OER are already available on the My Leicestershire History website which has lots of interesting materials but which are not all licensed to allow for reuse. So that’s the job of this new project. Also, these materials will be incorporated into modules here at University of Leicester, and the educational value of the OER evaluated, so there should be some very interesting outputs from the project. (The photograph above is taken from the My Leicestershire History collection).
 
Finally, the whole project team, myself included, will be blogging about this as go along on the Manufacturing Pasts blog. We’ll be tweeting with the hashtag #manufacturingpasts. Follow us as we trace and share the industrial past of Leicestershire with Manufacturing Pasts!
 
Terese Bird, Learning Technologist and SCORE Fellow

Steve Jobs: Star of Informal Learning

The sad news today of the passing of Steve Jobs brings a deserved flurry of tributes and perspectives on his work. This morning, close to one-fifth of all Twitter comments had to do with Steve Jobs. American president Obama described Jobs as being “among the greatest of American innovators.” Besides the immense consumer appeal of the  iPad, iPod, and iPhone, there is the multi-faceted impact of Mac computers, and Jobs’ reinvention of film animation at Pixar. I would like to relate a personal story of how Jobs’ innovation both affected an industry and reveals the power of informal learning.

Steve Jobs in an early Stanford computer lab of Macs. Courtesy of The Seb on Flickr

When I studied computer programming in the 1980s, I worked on an IBM 360/370 with terminals. After graduation, I took a job with a printing company in Chicago and tried my hand at typesetting. My father was a printer; he used to set type the ancient way, with little pieces of metal held together in a mold. At my company, we used a new-fangled method called phototypesetting, a combination of computer tech and photography. I typed commands (which were strangely similar to html) at a terminal, pressed a few buttons, and out came the imprinted photographic paper dripping with fixing fluid, ready to be hung up to dry.

My husband was also from a family of printers. Once on a visit to their company, my mother-in-law showed me this little computer called a Macintosh. She demonstrated how she could set type in a wysiwyg environment, using both a keyboard and a mouse (which I could not get my head around). When I saw how simply I could select fonts and sizes and see the piece laid out on the screen, I had a feeling that everything was about to change. Indeed, the desktop publishing revolution was right around the corner, and everything did change.

The Mac was the first computer to pay any attention to typefaces. If you watch Jobs unveil the Mac in 1984 (worth a watch for many reasons), you can see how important he felt it was to get typefaces right. Jobs learned about typefaces in a college calligraphy class, which he attended after he dropped out of college. Without a degree yet with academic instinct, Jobs applied what he learnt and made it integral to the Macintosh. He famously insisted on quality design and beauty at every hidden level of all of Apple’s innovations.

First Macintosh showing off typefaces - from the demo video on YouTube

My current SCORE project about iTunes U as a channel of free learning resources (http://www.le.ac.uk/spider) has let me appreciate this public platform given to universities and educational institutions. It’s not all philanthropy; of course iTunes U shows off how nice multimedia looks on the various i-gadgets. And yet, my research into how iTunes U materials are used by ordinary folks has revealed their importance as informal learning resources. It’s almost as if Steve Jobs brought his academic experience full-circle, allowing lots of people to ‘audit classes’ even if they are dropouts or never accessed higher education.

Thanks, Steve, for a lifetime of innovation and inspiration.

Terese Bird, Learning Technologist and SCORE Fellow

Openness and learning design

In the last three years or so, the Carpe Diem learning design process has evolved – not only as a result of our own better understanding of it, but also as a consequence of the open educational resources (OER) agenda.

Carpe Diem is a creative, hands-on learning design process for academic course teams. It builds institutional capacity in learning design. It is not a ‘techie’ workshop on how to use certain tools. It has proven to be effective in the design and redesign of face-to-face, online and hybrid programmes at undergraduate and postgraduate levels at over 15 UK universities and internationally. Carpe Diem delivers a blueprint and a storyboard for the course, a set of peer-reviewed and reality-checked e-tivities running online, a model for further development and an action plan. The planner used during the two days is available as an OER under a Creative Commons licence.

Developing a storyboard is at the heart of the Carpe Diem process – it’s collaborative, productive and fun. When we populate the storyboard with content (‘content’ is never our starting point!), participants usually refer to two ‘default sources’ of materials: previous versions of the course and new materials that the course team will have to ‘write’. We then introduce the concept of OER and show a few examples. While some colleagues are now more familiar with OER than three years ago, many have not heard of these resources, the repositories they are stored in or the licences they can be used under. They are often surprised by the amount and quality of open, free material they can access and incorporate into the course, with and without adaptation.

I usually invite course teams to conduct a resource audit under five headings: 1. course materials they already have and wish to reuse (such as materials from previous versions of the course), 2. material from OER repositories ready to use as is, 3. OER they can use with minimal changes, 4. OER that need repurposing before inclusion in the course, and 5. what they need to create from scratch.

The figure below maps curriculum design against OER design and shows the types of enhancement that can be achieved during the planning, development and delivery stages of a course. The top-right quadrant requires significant effort (and delivers accordingly), while the bottom-left one constitutes rapid, ‘opportunistic’ enhancement at a minimal cost.

Designing for openness

Figure 1: enhancing the curriculum with open educational resources

The development of a critical mass of OER worldwide and the awareness that the OER agenda has raised across the higher education sector have been critical levers in the evolution of Carpe Diem as a learning design intervention. Thus, Carpe Diem today does not only meet its original collaborative learning design objectives cost-effectively, but raises awareness of and disseminates OER and open practices across disciplines and institutions.

Dr Alejandro Armellini
Senior Learning Designer
Beyond Distance Research Alliance
University of Leicester

OER 11: naturally occurring is best

Last week I had the privilege of attending OER 2011, a conference dedicated to the study, development, and promotion of open educational resources. It was hosted by SCORE, through which I am studying iTunes U as an OER channel, which is the topic of my SPIDER study. In fact, I got the chance to do my presentation twice – “Is iTunes U a successful model of Open Educational Resource distribution?”

It was great to learn from those who have been working through the issues of open educational resource production, promotion and evaluation for years – for example, Massachusetts Institute of Technology and the Open University. It was exciting to learn about unusual endeavours such as The Cosmonaut, a Creative Commons film produced through collaboration and ‘crowdfunding’ –anyone can donate a minimum of 2 euro to help, and all donors’ names will be listed as producers, with over 3000 producers and counting.

The take-home message for me, however, was the simple one that innovations of any kind are best implemented ‘naturally.’ For example, I have been looking at the iTunes U implementation of University of Oxford. Most of the offerings are podcasts of live lectures — audio recordings of events naturally occurring in Oxford’s academic life. They appeal because they display what is really going on at Oxford, and are produced at a reasonably low cost due to the naturally occurring factor.

Another successful model of naturally-occurring OER sharing is Humbox, a site where those who teach humanities can publish and share their teaching resources. A prolific Humbox contributor, Antonio Martinez-Arboleda, commented that Humbox made sense to him because his academic contract does not include research. And yet, he is an academic and so he must publish – but where? Humbox was the answer. It became natural for him to post his materials there as he created them, and others value and make use of them.

Here at Beyond Distance, our flagship OER project OTTER allowed us to establish an OER repository. Now what is needed is ongoing contribution of OER, which can happen best when instructors begin to naturally prepare their materials with open principles in mind – using Creative Commons images, and making sure about permissions from the beginning. We hope, through our current OER projects OSTRICH, TIGER, and SPIDER, to encourage good practice in OER creation, and for such good practice to become a natural part of what academics do.

Terese Bird, Learning Technologist, SCORE Fellow, and Assistant Keeper of the Media Zoo

Open Educational Resources from the Viewpoint of the Institution

On Friday 11 March 2011, Gabi Witthaus and I attended a SCORE event entitled ‘Institutional strategies for Open Educational Resources (OER) in the Open University Nottingham campus. (Gabi wrote about this event on the OSTRICH project blog with a slightly different focus.) Several featured speakers described their experiences implementing the production and use of OER in their institutions, including how they made the case to stakeholders. Among my take-home messages from each speaker:

University of Exeter – Tom Browne: When making the argument for OER, it is important to include the evidence of demand for OER. Open access academic work must be tied to institutional mission. Production of OER should be seen as scholarly activity within staff development. Exeter has now launched Open STEM, and while this initiative was specifically for STEM subjects, it sparked enthusiasm in humanities subjects as well.

Nottingham Tram (photo courtesy of Andwar on Flickr)

Oxford University – Melissa Highton:  The most successful OER production is built on existing workflow – Oxford academics were lecturing anyway, so a decision was made to just audio-record as they do it and make it simple enough that lecturers can do much of the process themselves. This is how Oxford launched and runs their iTunes U channel.  Although Oxford offers both audio and video lectures, their data shows that audio-only lectures get downloaded three times as often as video versions. To those who may still ask “why capture a lecture?” Melissa argued that a lecture is a unique academic event – this person will only be speaking about this topic or research in this way and with this audience today and not again, so capture it and allow any Oxford student to hear it, in fact, allow anyone to hear it. Melissa described a new skill for academics to become fluent in open content provision : open content literacy (releasing open learning material in an ethical fashion). Finally, she presented evidence of reuse: schools using Oxford lectures in their own teaching and finding it unnecessary to chop or rehash the lectures.

University of Nottingham – Steve Stapleton:  Their university saw the social responsibility of publishing OER, showcased in their work with OERAfrica. Steve’s presentation emphasised improving student experience by focus on open content – academics became more conscious of quality because they knew the material would be open. The University of Nottingham will now feature information about their open content in the university prospectus and observe any effect on their marketing. Steve concluded by mentioning Nottingham’s new ideas: U-Now and a university Flickr account.

There were also excellent presentations on work by University of Cape Town to create and provide OER–even allowing lecturers to upload their own material to the repository, similar to a ‘pride of ownership model’ at Massachusetts Institute of Technology. Delft University of Technology reported a definite increase in the number and quality of international PhD students after publishing courses as open, as well as faculty satisfaction with their improved reputation as a result of OER publications.  It was these academic benefits of OER which I believe should be particularly persuasive for institutions considering OER publication. I will be looking at these benefits and related impact specifically as I examine iTunes U in the SPIDER project.

Terese Bird

Learning Technologist, SCORE Fellow, and Assistant Keeper of the Media Zoo

Opening the doar to Open Research Archives

A question high on the agenda for academics on the OER workshops I ran in Afghanistan last month was how they could access journal articles written by University of Leicester academics and others in the UK. Their institutions, which are struggling for funding, could not afford journal subscriptions, and as a result, many of these academics felt isolated from the international knowledge-sharing communities in their disciplines.  They were therefore delighted to learn that it was possible to access near-final versions of journal articles freely, through open research archives which contain ‘pre-prints’ – drafts of papers that are subsequently published in peer-reviewed journals. The Leicester Research Archive is one such example.

To find open access repositories around the world, one only has to go to the brilliant directory, OpenDoar, or the Repository 66 website, which provides links to open access repositories by location. Here is a sampling of open access archives found through these sites:

Leicester Research Archive, UK: https://lra.le.ac.uk/
Open University’s Open Research Online, UK: http://oro.open.ac.uk
University of Oxford, UK: http://ora.ouls.ox.ac.uk
Pakistan Research Repository: http://eprints.hec.gov.pk
Open Access Agricultural Research Repository (India): http://www.agropedia.net/openaccess
Stanford University School of Education, USA: http://openarchive.stanford.edu
University of the Western Cape, South Africa: http://repository.uwc.ac.za
University of Southern Queensland, Australia: http://eprints.usq.edu.au
Athabasca University (Canada): http://auspace.athabascau.ca

It is also possible to search for content in all the repositories in OpenDoar by keyword, by going to http://www.opendoar.org/search.php. To find repositories by location, go to http://maps.repository66.org.

In the SCORE workshop on OERs on 11 March, it was noted that for many institutions, the distinction between open research and open educational resources is becoming blurred. Both are part of a wider open access movement which aims to share knowledge openly and without discriminating against those in less fortunate countries. The Beyond Distance Research Alliance is committed to raising awareness among academics at Leicester and beyond of the value of open educational resources – both for research and for teaching.

Gabi Witthaus, 19 March 2011

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